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my first drawings of neurons straight from Histology textbook click these for larger view |

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The Observer, acrylic on found wood, March 2010 click for larger view |
∞ ceci
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![]() | |
my first drawings of neurons straight from Histology textbook click these for larger view |
![]() | ||
The Observer, acrylic on found wood, March 2010 click for larger view |
"We are excited to share with you a page spread from ZBOOK every week, along with whatever else is inspiring us. We'd love to hear about what you are creating and what is inspiring you! So please do leave your comments and feel free to be in touch!"
in gratitude ∞ Jennifer & CeciZBOOK began as an art journal between Jennifer and Ceci in 1996, while at UC Santa Barbara, to collect their co-creative ideas and dreams. It took on a life of its own as they both would freely add their drawings, inspirations, found objects, and more- exchanging ZBOOK to and from where ever they were in the world. Journal, art, poetry, story, document, oracle- ZBOOK maps 14 years of opulent creativity, abounding collaboration, and cherished play. It is a story of transformation, from the pages themselves to the girls, now women. An extraordinary friendship. A remarkable collaboration. A divine cultivation of Trust.
Oh my, what you have evolved to in your painting expression is quite profound. Your continuous expansion and learning through the painting is inspiring. I think of these neurons which you re-imagine often, as a signature form in your work. One of the awesome aspects of that signature is that they can be visible (large or small) or suggested - because they are present always.
ReplyDeleteI love the added images you have started to post. Keep it up!
-J.
Cec - the introduction here of your fascination with neurons is very important. As you say, the intelligence of life inside and outside us is a phenomenon to be explored throughout time. I am inspired by your attentions to the expansive space inside all our beings, and the reflections you offer more and more now in your work by bringing these movements to an exterior venue - almost like removing a layer of skin. It's fascinating and as we spoke of recently, it expands the opportunity for people to access the infinite stories in the work. To be continued!
ReplyDelete